Fine Art Giclee Prints, for Artists and Collectors

I am asked about my fine art prints quite frequently from two different groups of people. Collectors and artists.

But both interested in the same thing – quality prints.

MANY years ago when I was first considering getting in to the print market I toyed with the idea of printing them myself, but that idea didn’t last long! Printing up to A3 in the studio is possible, and buying a good quality printer and paper / canvas is feasible. But most of my paintings are MUCH larger and then the specially designed giclee printer prices go WAY UP!

Then, if you’re an artist and you have the morals to supply your collectors a quality product, then you will be VERY concerned about producing a print that is UV resistant and won’t fade within a few weeks of the customer receiving it. So you will need to be using archival inks and also archival papers and canvases! And remember colour matched prints don’t just appear out of these expensive printers by accident, they need to be colour matched / fine-tuned until perfect. And that takes experience and time.

All that was enough to tell me that my time was going to be much better spent sticking to what I am good at – painting and leaving the printing up to the professionals! And that is when the fun REALLY began!

Any artist that has tried to find a reputable giclee print company will know that this in itself is a minefield! They all promise perfect colour rendition, quality, fast delivery etc but when you have placed your order and paid your money then, unfortunately, the promises usually start to be broken. I went through this disappointment for about 3 years with numerous companies before I finally hit on a company that was not only local to me (I had contacted companies the whole length of the UK!), but also as concerned about quality and colour rendition as I was with my wildlife prints!

I visited their company and learned what quality Giclee printing was really all about! I was amazed at the size of the printers, the digital scan back camera rendering images up to 380 megapixels! (Yes, you read that figure right!)

scanback camera
Just one of the many printers

You see Giclee printing has now reached a level of permanence and perfection that no other print process can match. It is truly stunning when these machines are used by fully trained people.

The paper and canvas I use for my prints is produced by a company called Hahnemühle and it has been producing quality artist’s papers for over 420 years! Since its founding in 1584 they have developed experience and a tradition of excellence in art materials that is now been brought to the digital age, and fine art Inkjet printing.

And they have just raised the quality bar again by releasing their Leonardo Fine Art Canvas. It’s what I now use on all my new canvas prints! It’s probably the most expensive canvas I could use, which is a pain, but the quality is just superb. And I have demanded the highest standards since day 1.

So if you’re an artist, you have a decision to make, do you produce small prints yourself and hopefully sell at high volume or do you go the whole hog and contact a pro print company that can produce your prints at full size with the ultimate in quality and light fastness?

If you’re a collector you also have some decisions to make – will you be happy with an A4 or A3 print of a painting probably intended to be much larger? Do you take a chance that the artist or whoever has done the prints has used lightfast inks and paper / canvas or do you buy from artists like myself that pay a high premium to have their prints done to the very highest standards available today? Knowing that when cared for correctly the prints should last 100 years +

I’m biased of course, BUT in my eyes quality is King!

Some links for you –
The Fine Art canvas I use
The Dot Foundry Print House – the one I have used for years
A selection of my Wildlife Art prints wildlife art site

Painting a White Tiger Step by Step Tutorial.

Some visitors have asked to see some step by steps of my latest White Tiger painting. So this is for all those interested in how a painting develops. I’ll post some more photos soon 🙂

The 1st photo (below) shows the painting with the pencil drawing transfered to the canvas and then sealed with a fine spray of pencil / pastel fixative. When that was dry I washed over a thin coat of acrylic (Burnt Umber).

toning the canvas

Whilst the acrylic was still wet I used a few pieces of kitchen tissue and wiped most of it off. This just left a stain of colour, which is much nicer to paint over than a stark white canvas.

With the stain dry (above) I painted over most of the main pencil lines with a dark mix of Burnt Umber / Ultramarine Blue acrylic. This was just to re-establish my main lines so that I would see them more easily when I began to apply the oils.

tiger underpainting

White Tiger Painting – Prints coming soon!

Here is a much better photograph of my White Tiger painting.

I hope to have prints available within the next couple of weeks. The print will be a very limited Edition so please contact me via email to reserve your copy (canvas and Fine art paper) –

white tiger painting

White Tiger painting

Here is the latest Tiger painting from my easel, it’s oil on canvas, as usual, and approx 30 x 21in.

It was a real challenge to bring all the elements together in this painting, I hope you think I pulled it off.

Hope to get a decent photo soon as this one is very poor.

white tiger

white tiger